Following on from February, which included my first return to my alma mater, The University of Sheffield since 1991 (for a concert with Ensemble DeNOTE), March highlights included a concert performance of Mozart’s La Clemenza di Tito at Cadogan Hall with Classical Opera Company (13 March) and a CD recording with DeNOTE (24-8 March) of Beethoven’s self-arrangements of two of his most popular works, the Septet, Op.20 (arranged for clarinet, cello and piano) and the Piano and Winds Quintet, Op.16 (arranged as a Piano Quartet).
Clemenza includes two significant obbligato arias, ‘Parto, Parto‘ (scored for obbligato basset clarinet) and ‘Non piu di fiori’ (scored for obbligato basset horn) – making 4 instruments in all for the principal playing the whole opera! I was thrilled to be playing alongside such wonderful singers as Helen Sherman and Gillian Ramm.
Working at St Martin’s East Woodhay is a rewarding experience – the acoustic is ideal for chamber music, and supported by a great team including Adrian Hunter as Sound Engineer and Co-Producer and Ed Pickering as instrument technician, we were able to make the very best of this special place. We look forward to the CD being ready in time for Christmas!